{"id":3517,"date":"2022-10-31T17:11:10","date_gmt":"2022-10-31T16:11:10","guid":{"rendered":"https:\/\/rouault.org\/biography\/final-symphony-1948-1958\/"},"modified":"2022-11-03T16:12:30","modified_gmt":"2022-11-03T15:12:30","slug":"final-symphony-1948-1958","status":"publish","type":"page","link":"https:\/\/rouault.org\/en\/biography\/final-symphony-1948-1958\/","title":{"rendered":"Final Symphony | 1948-1958"},"content":{"rendered":"<div class=\"gb-grid-wrapper gb-grid-wrapper-4585c096\">\n<div class=\"gb-grid-column gb-grid-column-dde1a670\"><div class=\"gb-container gb-container-dde1a670\"><div class=\"gb-inside-container\">\n\n<p>Georges Rouault moved to 2&nbsp;Rue \u00c9mile Gilbert in the 12<sup>th<\/sup>&nbsp;arrondissement in Paris. During these final years he was assisted by his wife Marthe and his daughter Isabelle who dedicated her life to&nbsp;her father\u2019s work. The apartment come studio where he spent the final years of his life is now the headquarters of the Fondation Georges&nbsp;Rouault.<\/p>\n\n\n\n<p>On 5 November 1948, following his lawsuit with the Vollard heirs, the artist burnt 315 of his paintings in the presence of a public notary. The event caused a stir in the press. He was aged 77 and felt he would not have the time to finish the works.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><em>My eyes are sore from being awake and from trying to choose the&nbsp;works to burn in front of the notary.<\/em><\/p><cite>Unpublished letter from Rouault to L\u00e9on Lehmann, late July 1948<\/cite><\/blockquote>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-e0b1292c\"><div class=\"gb-container gb-container-e0b1292c\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-medium\"><img decoding=\"async\" src=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1948-de\u0301truisant-ses-oeuvres-\u00a9YC-708x781.jpg\" alt=\"Rouault burning his works, 1948 \u00a9YC\" class=\"wp-image-1347\"\/><figcaption>Rouault burning his works, 1948 \u00a9YC<\/figcaption><\/figure>\n\n<\/div><\/div><\/div>\n<\/div>\n\n<div class=\"gb-grid-wrapper gb-grid-wrapper-d23dd06a\">\n<div class=\"gb-grid-column gb-grid-column-a1b39eec\"><div class=\"gb-container gb-container-a1b39eec\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"708\" height=\"678\" src=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1953-et-IR-dans-latelier-\u00a9-YC.jpg\" alt=\"Rouault in his studio with his daughter Isabelle, 1953\" class=\"wp-image-1349\" srcset=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1953-et-IR-dans-latelier-\u00a9-YC.jpg 708w, https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1953-et-IR-dans-latelier-\u00a9-YC-357x342.jpg 357w\" sizes=\"(max-width: 708px) 100vw, 708px\" \/><figcaption>Rouault in his studio with his daughter Isabelle, 1953<\/figcaption><\/figure>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-5627bbdf\"><div class=\"gb-container gb-container-5627bbdf\"><div class=\"gb-inside-container\">\n\n<h2 class=\"gb-headline gb-headline-13571f1f gb-headline-text\">The consecration of his work<\/h2>\n\n\n\n<p><em><a href=\"https:\/\/rouault.org\/oeuvre-grave\/miserere\/voir-miserere\/\" data-type=\"URL\" data-id=\"\/oeuvre-grave\/miserere\/voir-miserere\/\">Miserere<\/a><\/em> was first presented at the Galerie des Garets from 27&nbsp;November to 21&nbsp;December 1948. The exhibition was a great success. The public understood the profound humanity of this work following the horrors of the Second World War.<\/p>\n\n\n\n<p>During the final ten years of his life, the artist received a number of prizes and tributes. Many exhibitions and texts had familiarised the public with the paintings of Georges Rouault. Exhibitions and retrospectives celebrated his work both in France and around the world.<\/p>\n\n\n\n<p>In France, the Centre Catholique des Intellectuels Fran\u00e7ais organised a tribute to Rouault at the Palais de Chaillot to celebrate his 80th birthday, an event that would be the apotheoses of his career. A national tribute was paid to the artist with a retrospective at the Mus\u00e9e National d\u2019Art Moderne from 9 July to 26&nbsp;October 1952. In the final room of the exhibition, four newly completed works were exhibited: <em>Nocturne d\u2019Automne<\/em>(Autumnal Night Fall), <em><a href=\"https:\/\/rouault.org\/oeuvre\/laissez-venir-a-moi-les-petits-enfants-1952\/\" data-type=\"URL\" data-id=\"\/oeuvre\/laissez-venir-a-moi-les-petits-enfants-1952\/\">Laissez venir \u00e0 moi les petits enfants<\/a><\/em>(Let the Little Children Come to Me),<em> Cr\u00e9puscule <\/em>(Dusk) and <em><a href=\"https:\/\/rouault.org\/oeuvre\/nocturne-chretien-1952\/\" data-type=\"URL\" data-id=\"\/oeuvre\/nocturne-chretien-1952\/\">Nocturne Chr\u00e9tien<\/a>(Christian Night Fall).<\/em><\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n<div class=\"gb-grid-wrapper gb-grid-wrapper-2227eb0b\">\n<div class=\"gb-grid-column gb-grid-column-6dcb9f89\"><div class=\"gb-container gb-container-6dcb9f89\"><div class=\"gb-inside-container\">\n\n<p>A number of events were organised around the world. A large retrospective of 263 works opened in Zurich in April 1948 until June 1948. In 1952, a large exhibition was held at the Palais des Beaux-Arts in Brussels and the Stedelijk Museum in Amsterdam. In 1953, there was a travelling exhibition of the works of Rouault in the United States \u2013 at the Cleveland Museum of Art, the Museum of Modern Art in New York, and the County Museum of Art in Los Angeles, followed by the Tokyo National Museum and the Osaka City Museum in Japan. An exhibition was held in 1954 at the Galleria d&#8217;Arte Moderna in Milan. &nbsp;<\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-dad475a2\"><div class=\"gb-container gb-container-dad475a2\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"708\" height=\"735\" src=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1953-dans-son-atelier-\u00a9YC.jpg\" alt=\"Rouault in his studio, 1953\" class=\"wp-image-1351\" srcset=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1953-dans-son-atelier-\u00a9YC.jpg 708w, https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/Rouault-1953-dans-son-atelier-\u00a9YC-357x371.jpg 357w\" sizes=\"(max-width: 708px) 100vw, 708px\" \/><figcaption>Rouault in his studio, 1953<\/figcaption><\/figure>\n\n<\/div><\/div><\/div>\n<\/div>\n\n<div class=\"gb-grid-wrapper gb-grid-wrapper-3eb2bcd5\">\n<div class=\"gb-grid-column gb-grid-column-670d51ff\"><div class=\"gb-container gb-container-670d51ff\"><div class=\"gb-inside-container\">\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Sacred landscapes are biblical pastorals, sometimes oriental. Dazzling stars sink into the midnight blue skies. Small figures wander here and there, on the banks of a river, on a vague road, between buildings without age nor style. They are uncloaked but their holiness leaves no doubt. They lean into each other and whisper important words in the night.<\/p><cite>Unpublished text by Georges Chabot<\/cite><\/blockquote>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-bd01b3ed\"><div class=\"gb-container gb-container-bd01b3ed\"><div class=\"gb-inside-container\">\n\n<p>Rouault received several distinctions including the title of Commander of the Legion of Honour in 1951, the Ordre des Palmes Acad\u00e9miques in 1956 and promoted to the rank of Commander of the Ordre des Arts et des Lettres in 1957.<\/p>\n\n\n\n<p>During these years, Rouault mostly painted colourful and bright landscapes. By 1956 he tired easily and hardly painted at all.<\/p>\n\n\n\n<p>Georges Rouault died on 13 February 1958 at the age of 87. A state funeral was held on 17 February at the Church of Saint-Germain-des-Pr\u00e9s in Paris. He was buried in the Saint&nbsp;Louis cemetery in Versailles.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/rouault.org\/en\/paintings\/1948-1958-final-symphony\/\">Paintings<\/a><\/div>\n\n\n\n<div class=\"wp-block-button la_voir\"><a class=\"wp-block-button__link\" href=\"https:\/\/rouault.org\/en\/paintings\/1948-1958-final-symphony\/paintings-1948-1958\/\">Works 1948-1958<\/a><\/div>\n<\/div>\n\n<\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":3510,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3517"}],"collection":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/comments?post=3517"}],"version-history":[{"count":2,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3517\/revisions"}],"predecessor-version":[{"id":3626,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3517\/revisions\/3626"}],"up":[{"embeddable":true,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3510"}],"wp:attachment":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/media?parent=3517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}