{"id":3466,"date":"2022-10-31T17:10:44","date_gmt":"2022-10-31T16:10:44","guid":{"rendered":"https:\/\/rouault.org\/1871-1902-early-years\/"},"modified":"2022-11-04T10:56:57","modified_gmt":"2022-11-04T09:56:57","slug":"1871-1902-early-years","status":"publish","type":"page","link":"https:\/\/rouault.org\/en\/paintings\/1871-1902-early-years\/","title":{"rendered":"1871-1902 \u2014 Early years"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">1871-1902&nbsp;&nbsp;|&nbsp;&nbsp;Early years&nbsp;<\/h1>\n\n\n<div class=\"gb-grid-wrapper gb-grid-wrapper-714cfdd2\">\n<div class=\"gb-grid-column gb-grid-column-a5a6fdad\"><div class=\"gb-container gb-container-a5a6fdad\"><div class=\"gb-inside-container\">\n\n<p>At the \u00c9cole des Beaux-Arts, encouraged by his teacher Gustave Moreau to participate in public exhibitions, he began to make a name for himself. In 1894 he won the Prix Chenavard with <em>L\u2019Enfant J\u00e9sus parmi les docteurs<\/em>(Infant Jesus among the Doctors), a work he would present the following year at the Salon des Artistes Fran\u00e7ais. He was 23 years old.<\/p>\n\n\n\n<p>After his first participation in the Prix de Rome with <em>Samson tournant la meule<\/em> (Samson Turning the Millstone), Rouault was the favourite to win when he participated a second time in 1895 with <em><a href=\"https:\/\/rouault.org\/oeuvre\/le-christ-mort-pleure-par-les-saintes-femmes-1895\/\" data-type=\"URL\" data-id=\"\/oeuvre\/le-christ-mort-pleure-par-les-saintes-femmes-1895\/\">Le&nbsp;Christ mort pleur\u00e9 par les Saintes Femmes<\/a><\/em> (The Dead Christ Mourned by the Holy Women). In the end, the academic painter L\u00e9on Bonnat disagreed and vetoed the award for Rouault.<\/p>\n\n\n\n<p>However, these public exhibitions helped Rouault to make a name for himself. The socialist deputy Marcel Sembat, who would become a loyal collector, bought <em><a href=\"https:\/\/rouault.org\/oeuvre\/le-christ-mort-pleure-par-les-saintes-femmes-1895\/\" data-type=\"URL\" data-id=\"\/oeuvre\/le-christ-mort-pleure-par-les-saintes-femmes-1895\/\">Le Christ mort pleur\u00e9 par les Saintes Femmes<\/a><\/em>, now kept at the Mus\u00e9e de Grenoble.<\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-859f9657\"><div class=\"gb-container gb-container-859f9657\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-medium\"><img decoding=\"async\" src=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/O.P.27.Le_Christ_mort_pleure\u0301_par_les_Saintes_Femmes_1895_muse\u0301e_de_Grenoble1-708x557.jpg\" alt=\"Le Christ mort pleur\u00e9 par les Saintes Femmes, 1895\" class=\"wp-image-1771\"\/><figcaption>Le Christ mort pleur\u00e9 par les Saintes Femmes, 1895<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n\n<div class=\"gb-grid-wrapper gb-grid-wrapper-c0c715af invert_col\">\n<div class=\"gb-grid-column gb-grid-column-d8ba4b26\"><div class=\"gb-container gb-container-d8ba4b26\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-medium\"><img decoding=\"async\" src=\"https:\/\/rouault.org\/wp-content\/uploads\/2021\/05\/O.P.66.Paysage_de_nuit_La_rixe_sur_le_chantier_1897_muse\u0301e_dOrsay1-708x535.jpg\" alt=\"Paysage de nuit, dit aussi La rixe sur le chantier, 1897\" class=\"wp-image-1466\"\/><figcaption>Paysage de nuit, dit aussi La rixe sur le chantier, 1897<\/figcaption><\/figure>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-932717bb\"><div class=\"gb-container gb-container-932717bb\"><div class=\"gb-inside-container\">\n\n<p>Many of these works were inspired by Rembrandt whom he passionately admired. But&nbsp;already, some works such as <em><a href=\"https:\/\/rouault.org\/oeuvre\/paysage-de-nuit-la-rixe-sur-le-chantier-1897\/\" data-type=\"URL\" data-id=\"\/oeuvre\/paysage-de-nuit-la-rixe-sur-le-chantier-1897\/\">Paysage de nuit <\/a><\/em><a href=\"https:\/\/rouault.org\/oeuvre\/paysage-de-nuit-la-rixe-sur-le-chantier-1897\/\" data-type=\"URL\" data-id=\"\/oeuvre\/paysage-de-nuit-la-rixe-sur-le-chantier-1897\/\">dit aussi<\/a><em><a href=\"https:\/\/rouault.org\/oeuvre\/paysage-de-nuit-la-rixe-sur-le-chantier-1897\/\" data-type=\"URL\" data-id=\"\/oeuvre\/paysage-de-nuit-la-rixe-sur-le-chantier-1897\/\"> La rixe sur le chantier<\/a><\/em> (The Quarry) from&nbsp;1897, gave a sense of the new direction his work would take.&nbsp;<\/p>\n\n\n\n<p>After failing to win the Prix de Rome a second time, Moreau advised his pupil to leave school and continue his career independently.<\/p>\n\n\n\n<p>Free from the conventions of school, Rouault painted whatever was in front of him. These works revealed a tragic representation of reality. His personality began to emerge. He began to define his painting style, free from the themes imposed by the academy and seeking his own influences, but he remained the spiritual heir of Gustave Moreau. Moreau supported him in his new direction and continued to provide advice, literary culture and spiritual guidance.<\/p>\n\n\n\n<p>Inspired by the spirituality of Gustave Moreau and the small group formed by J.K Huysmans at the abby of Ligug\u00e9, throughout his entire life Georges Rouault would heed the advice of his beloved teacher who told him to listen to his inner voice.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/rouault.org\/en\/paintings\/1902-1914-rebellion\/\">Next<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/rouault.org\/en\/early-years-1871-1902\/\">Biography<\/a><\/div>\n\n\n\n<div class=\"wp-block-button la_voir\"><a class=\"wp-block-button__link\" href=\"https:\/\/rouault.org\/en\/paintings\/1871-1902-early-years\/paintings-1871-1902\/\">Works 1871-1902<\/a><\/div>\n<\/div>\n\n<\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>1871-1902&nbsp;&nbsp;|&nbsp;&nbsp;Early years&nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3499,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3466"}],"collection":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/comments?post=3466"}],"version-history":[{"count":4,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3466\/revisions"}],"predecessor-version":[{"id":3671,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3466\/revisions\/3671"}],"up":[{"embeddable":true,"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/pages\/3499"}],"wp:attachment":[{"href":"https:\/\/rouault.org\/en\/wp-json\/wp\/v2\/media?parent=3466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}